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Even the brands that llama she’s a bad glass vintage retro shirt. aren’t under fire are likely asking themselves: What else can we do? The nature of systemic racism is that most of fashion’s decision-makers lack the experience or knowledge required to chart a way forward. As Vogue’s Janelle Okwodu wrote yesterday, crafting the right message and making donations are just the first steps: “The real danger will come when consumers undertake a mass reassessment.
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(Hoodie Tee)While Hi Octane offers an all-access pass into the world of ’90s indie music, there are windows onto fashion as well. At one point, Moore left his alley, which came complete with a sign that read “No Pissing or Shitting,” to head to Vogue’s then headquarters at 350 Madison Ave. Moore enters llama she’s a bad glass vintage retro shirt. looks at the office directory, and says: “Nice place to visit,” adding. “But I wouldn’t want to work there.” Eventually, Moore ends up in Anna Wintour’s office, where he talks about Kim Deal of the band The Breeders who had written an article for Vogue’s July 1994 issue titled “Will You Carry My Guitar.” Moore goes on to explain to Wintour how Deal gets her hair all nice and greasy, a beauty secret that he witnessed backstage firsthand: Deal opens a catered sandwich, uses the mayonnaise on the bun, and rubs it in. “I don’t know how she agreed to be in it,” says Coppola of Wintour’s participation. The segment in which supermodel Jenny Shimizu serves a lesson in fixing trucks is just as riveting. (Shimizu boasts a buzzcut and a tattoo of a pin-up girl riding a wrench.) She’s a riot, too. When asked about her “best limousine ride,” Shimizu has the cheekiest response. “To the CFDA [Awards] with Christy and Naomi. We had a menage à trois and it just got out of hand.” (Try getting a model to make that kind of raunchy quip today.) Other memorable fashion moments: The late photographer Sean Mortensen heading to Paris to interview Karl Lagerfeld. (He refers to Lagerfeld as the “man with the fan.
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