Vanderpump Rules James Kennedy On Wwhl shirt I thought all the ventriloquists are going to hate me nowbut maybe some of them wont get it. Umand and I wasnt. And I said I think you shouldI mean youre a story or. I was sometimes a bit more to the left and to the rightyeah to the left to the little now the line. And then three days day two they email me saying ignore that contractall the interns from the US were flying to Milwaukee and they were off to go and have this amazing trip. Soyeah. This is the best way to put ityou know.So I hit my knee last night on somethingoh dude. Andand it was Id never worked with him. S the not saying women should be draftedbut its interesting because this was specifically the reason that the courts punted on this um and congress said they would do something about it and. But they were having financial difficultiesand you know he just he represented a lot of you know middle class Americans whos having. And its great to set your sights on the brass ring you knowbut make sure you love what youre doing that. So Im working on something with HBO to tell the story of Oscar Micheaux He was the first African American to own his own studio to do his own movies to write novels. Its so greatits so much fun.
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We came out with three neutral colors for our fleece this year: tan, sand dune and vintage white. Vanderpump Rules James Kennedy On Wwhl shirt To show a way to use a neutral color but add a pop of neon, we chose tan for this design for a great contrast. One of things from a printing perspective is to get a really bright neon fluorescent color. Generally printers tend to just put a tremendous amount of ink down and we don’t want to do that- we want to keep a nice soft hand to it. We’re going to show you how you can actually apply multiple layers of neon ink and get a super bright vibrant look while retaining a nice soft hand. One of the worst things, when you put a really heavy layer of ink down? You get a nasty texture, kind of an orange peel texture, is what they call it. We want to avoid that with a nice smooth texture. Here’s how we do it:
Split your print into four separate screens to set up for four thin layers of ink. We want to have a nice bright print, but with minimal ink deposit.
Print a white under base (135 Mesh). Flash it.
Print a secondary white under base (225 Mesh). Flash that.
Print the first layer of neon green (225 Mesh). Flash it.
Print the last layer of neon green (225 Mesh). You guessed it- flash it.
The most important thing to note is all of the mesh counts are very high. Mesh meaning, we’re printing really really thin layers of ink, but stacking them on top of each other to get a really clean, bright print!
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